Monthly Archives: February 2014
California continues to outpace the nation in the growth of charter schools and charter enrollment, with 104 new schools and 48,000 additional students, according to a report by the National Alliance for Public Charter Schools.
California now has 1,130 charter schools serving 519,000 students.
“The state figures represent a 6.1 percent increase in schools since 2012-13 and a 10.3 percent rise in charter student enrollment. Nationwide, the number of charters rose 7.3 percent. There were 436 new schools and 288,000 students added, for a total of 6,440 schools educating more than 2.5 million students.”
The president and CEO of the National Alliance, Nina Rees, pointed out that this was “the largest increase in the number of students attending charter schools we’ve seen since tracking enrollment growth.” Rees previously served as an education advisor to Vice-President Dick Cheney and to Michael Milken.
At the same time, a member of a…
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The Upsetters’ The Good The Bad and The Upsetters was released by Trojan Records in 1970. And since The Upsetters was sound alchemist Lee Perry’s band one might think he was involved in that particular release, but apparently he was not.
Following the success of Return of Django in the UK in 1969 Lee Perry and The Upsetters were booked on a UK tour that very same year. When the tour ended the musicians in The Upsetters had nothing to do while still in the UK. So Bruce White and Tony Cousins – two former singers that ran the booking agency responsible for the tour – persuaded The Upsetters to record an album, which Trojan then released.
Lee Perry had nothing to do with it, altough it…
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My first article for Politico is on “disaster porn”, with Ukraine coverage as a key example:
The Kyiv protests were also starting to look like clickbait. By the end of the day on Wednesday, Business Insider, Talking Points Memo, Buzzfeed and Mashable had all published their own listicle versions of what Huffington Post called “Ukraine Crisis: 12 Apocalyptic Pictures After Nation’s Deadliest Day.” High in resolution, low on explanation, the articles painted Ukraine’s carnage by numbers.
A new genre had been born: the apocalypsticle.
Ukraine has never been a country that attracted mainstream media interest. The tens of thousands of people viewing, sharing and posting photos of the Eastern European state likely had little knowledge of what Ukraine looked like before the violence—protesters are now claiming at least 100 people have died in the latest clashes—took place. The fascination of the photos is not that Ukraine no longer…
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